Creative strategy & production — New York City
The training was documentary: real people, real stakes, no script to hide behind. Brand work gets the same discipline — find the true thing and give it shape.
You’ve seen content that looked great and did nothing. That’s a why problem: who it’s for, what it needs to do, where it fits. Rooted in how people actually decide. The result: work with a job to do.
A Webby for a short documentary on a groundbreaking procedure that preserves sensation after mastectomy — and the surgical power couple who invented it. A PRSA Best Video Spotlight for Pfizer’s cervical cancer campaign, told by real women in the South, where stigma around below-the-belt cancers keeps too many from getting screened. A Silver Telly for an early breast cancer series that goes where medicine doesn’t — body image, and how to talk to your kids about a diagnosis. Stories nobody was telling, made so the next woman watching is less afraid.












Reusable footage from one day — six worlds, no reshoots.
A new site built to convert, and the growth strategy behind it.
Now on retainer“A breathtaking video storyteller who engages us while simultaneously educating and moving us intellectually and spiritually.”
“The first time I would ask her to do something, she’d come back as if she had already done it twice.”
“Given the sensitivity of the subject matter, Jamie struck the right balance of focus and compassion. It was clear that our video subjects felt immediately comfortable with her.”
“Jamie’s grasp of cameras and framing is top-notch, often surpassing that of many producers I’ve worked with.”
“When she calls I don’t hesitate to take on the project because I know it will be a smooth and high creative shoot.”
“As a journalist and producer, I’ve worked with/for numerous producer-directors and can genuinely say that Jamie stands out.”
I learned it inside the big agencies. Zoom Out keeps the craft, drops the rest.
Agencies are built for scale — senior people spread across a dozen brands. The craft is extraordinary. The intimacy isn’t there.
Zoom Out flips it. You work directly with the creative who sets the strategy, backed by a vetted network of award-winning collaborators built over a decade in New York. Solo when that’s right, a senior team when it isn’t. Never an agency in between.
Diagnosis comes before execution.
What the content is actually failing to say.
One point of view, set before anything is shot.
The system the work lives in — not a one-off.
Directed and shot with senior craft, on set.
The cut, the system, the surfaces it ships to.
Diagnosis isn’t overhead. It’s how nothing gets made that shouldn’t.
Audit and build the creative systems your team runs on, AI workflows included.
Positioning, concept, and direction. With or without a shoot attached.
The full pipeline, or any single stage of it, from prep through picture lock.
Story-first edits, color, sound, and finishing.
Identity, decks, social systems, and campaign assets.
Two shapes: a scoped project, or an ongoing retainer. Either way, it starts with diagnosis.
Zoom Out is led by Jamie Putman, whose mom was a creative director at CBS News for seventeen years. Visiting meant a dozen screens, one deadline, everyone wearing three hats — and under all the buzz, a true story going out live. Jamie’s been chasing that room ever since.
Jamie studied film and psychology, which turned out to be the whole job. Half is making the thing. Half is knowing why anyone feels anything.
At Everyday Health, a forgotten 5D pulled from a storage closet became a video department, then original series, then a Webby-honored patient documentary. A decade followed — digital publishing on one side, agency craft at WPP on the other — most of it sitting across from someone recounting the hardest or most life-changing day of their life.
People ask about the range: health, beauty, fashion, music. The range was never the point. The person in front of the camera was.
Freelance ran alongside every staff job until it was ready to be the main thing. Zoom Out is the main thing.
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